One of the plausible zombies from The Last of Us (2013) – in the game the zombie infection is a fungus that kills and transforms its hosts
We are experiencing a golden age for the fusion of science and entertainment. Oscar-winning films such as Gravity and The Theory of Everything, television ratings titans like The Big Bang Theory, video games including The Last of Us (2013), and high-traffic web-comics like XKCD have shown that science-based entertainment products can be both critically and financially successful. Continue reading “What Entertainment Can do for Science, and Vice Versa”→
I am a self-proclaimed Orphan Black geek monkey and I am obsessed with Clone Club (and their marvelous dance parties). When I first started to explore the representation of women in science in entertainment media I wrote a blog post on the subject to help organize my thoughts on how and where women working in STEM (science, technology, engineering and mathematics) were represented. I got a great response from people who read the article and received lots of tweets about the mysterious Cosima Niehaus. After a quick google I binge-watched the first two seasons of Orphan Black (an almost entirely female-led science-based series) and excitedly watching seasons three on four on TV. Continue reading “If She Can See It, She Can Be It: Women of STEM on Television”→
One of my major issues with the most recent addition to the Planet of the Apes franchise, Dawn of the Planets of the Apes (Reeves, 2014), were the roles available to women – both human and ape. In my blog on the film I explored some of my thoughts on it and I noted that (the very few) female characters were only ‘represented as child bearers and care takers’. Continue reading “Rise of the Women?: Screening Female Scientists”→
By 2011 I had already spent five years of postgraduate study researching the history and cultural interpretations of Planet of the Apes. I was very nervous about seeing Rise of the Planet of the Apes; it was released just a few weeks before I submitted my PhD and I knew I would have to make at least some reference to the film in my thesis. So, I anxiously went to the screening accompanied by my low expectations and a notebook. I was, thankfully, very pleased with the new origin story that was clearly intended as a new beginning for the multiple-decade spanning franchise. It did not try to awkwardly update or rehash the original series’ subtext (oh, Tim Burton) but instead used the science fiction genre and the possibilities of the fall of humanity to explore more pertinent socio-cultural issues. Continue reading “‘Talking Apes with Big-Ass Spears’: Violence, Science, and Dawn of the Planet of the Apes”→
A place to collect all of my online posts and projects, and a space to work out my thoughts and research ideas in science communication, science entertainment, medical humanities, and film and media history.