This is the way the world ends. Not with a bang but a virus.
In Planet of the Apes (1968) Charlton Heston faced a future of intelligent apes in the aftermath of a nuclear holocaust but in the 2011 re-launch of the franchise – Rise of the Planet of the Apes – the fall of humanity follows a global pandemic that kills 1 in 10 humans whilst heightening ape intelligence. Although Rise of the Planet of the Apes falters in accurately representing the processes of science it does have a striking visualisation of the spread of the ‘Simian Flu’ – an unintended side effect of an attempt to cure Alzheimer’s disease. Rise of the Planet of the Apes is an example of recent film and TV that shows that lab-engineered outbreaks have replaced the nuclear holocaust on screens as the imagined and expected end of humanity. Science and scientists are central to causing and perhaps saving humanity from extinction. Continue reading “Movies and Scientific Accuracy (Microbiology Today)”→
When I started as a postdoc on the Unsettling Scientific Stories project in 2016 I was asked to produce a ‘top ten’ list of SF texts that were favourites, inspiration, and the types of works that I hoped to look at as part of the project.
Caryl Churchill’s postmodern play The Skriker is just about to begin its final week of a sold-out run at Manchester’s Royal Exchange Theatre and its environmentalist message is as worryingly relevant today as when it premièred at the National Theatre twenty-one years ago. This has been a summer of headlines about record-breaking temperatures; according to scientists the Earth as a whole has experienced its hottest June and the hottest first half of the year since records began. The current climate crisis is entwined with a lengthy history of industrialisation, reckless ecological practices, and the environmental movement has been blighted by financial crisis, austerity, and a political and corporate denial of this global catastrophe. Global warming and climate change are unavoidable issues that permeate news media and increasingly fictional media. Continue reading “The Skriker: Global Warming, Eco-fairytales, and Science on the Stage”→
One of the plausible zombies from The Last of Us (2013) – in the game the zombie infection is a fungus that kills and transforms its hosts
We are experiencing a golden age for the fusion of science and entertainment. Oscar-winning films such as Gravity and The Theory of Everything, television ratings titans like The Big Bang Theory, video games including The Last of Us (2013), and high-traffic web-comics like XKCD have shown that science-based entertainment products can be both critically and financially successful. Continue reading “What Entertainment Can do for Science, and Vice Versa”→
I am a self-proclaimed Orphan Black geek monkey and I am obsessed with Clone Club (and their marvelous dance parties). When I first started to explore the representation of women in science in entertainment media I wrote a blog post on the subject to help organize my thoughts on how and where women working in STEM (science, technology, engineering and mathematics) were represented. I got a great response from people who read the article and received lots of tweets about the mysterious Cosima Niehaus. After a quick google I binge-watched the first two seasons of Orphan Black (an almost entirely female-led science-based series) and excitedly watching seasons three on four on TV. Continue reading “If She Can See It, She Can Be It: Women of STEM on Television”→