We take a break from film to gab about our favourite women-created SF TV (which, given how short the list is, is all of them): Emergence, Vagrant Queen, Sense8, Killjoys!, Westworld, Altered Carbon, Roswell New Mexico, iZombie, Russian Doll, Jessica Jones, and Agents of S.H.I.E.L.D.
What is SF? Why “SF” and not “scifi”? In this episode we follow up on the ideas from the opening episode as we debate what really qualifies as science fiction. We also discuss our first three watch party movies: Welcome II the Terrordome(dir. Ngozi Onwurah, 1993), Tank Girl (dir. Rachel Talalay, 1995), and Évolution (dir. Lucile Hadzihalilovic, 2015).
A long time ago in a place far far away called Before the Lockdown (aka Manchester, January 2020), I was invited to be a guest on the award-winning Comma Press Podcast for the opening episode of series two to help introduce the central theme for this series: FUTURES.
Women-made cinema is often pulled together and compared as if it is a genre – distinctive because of its creator’s gender identity rather than its content. Women directors should not just be the subject of special screenings and seasons to highlight their place in an industry that is still dominated by men. Continue reading “Women Make Science Fiction: Gender is not a genre”→