
The Bad Batch (2016, USA)
Director: Ana Lily Amirpour (b.1976, UK)
Writer: Ana Lily Amirpour Continue reading “#WomenMakeSF Review (13): The Bad Batch (2016)”

Director: Ana Lily Amirpour (b.1976, UK)
Writer: Ana Lily Amirpour Continue reading “#WomenMakeSF Review (13): The Bad Batch (2016)”

Continue reading “Women Make SF Podcast (7): Women in Space/Making Space for Women”
High Life (2018, France)Director: Claire Denis
Writers: Claire Denis and Jean-Pol Fargeau Continue reading “#WomenMakeSF Review (12): High Life (2018)”
Aniara (2019, Sweden | Denmark |USA)Directors: Pella Kågerman & Hugo Lilja
Writers: Pella Kågerman & Hugo Lilja Continue reading “#WomenMakeSF Review (11): Aniara (2019)”

Director: Danishka Esterhazy
Writer: Danishka Esterhazy Continue reading “#WomenMakeSF Review (10): Level 16 (2018)”

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This week we are looking at the films Paradise Hills and Level 16 that are both set at dystopian finishing schools where being the perfect girl is the goal. These young women are trapped in the trappings of femininity and sacrificed in the pursuit of an apparent notion of female perfection. We discuss this in relation to a recent TIME article that argues that women’s genre filmmaking is “about women’s deepest anxieties”. Content warning: discussion of rape culture and violence against women.
@WomenMakeSF #WomenMakeSF #WomenMakeSFPod
Continue reading “Women Make SF Podcast (6): Finishing Schools of Fear”
Æon Flux (2005, USA)Director: Karyn Kusama
Written by: Phil Hay and Matt Manfredi Continue reading “#WomenMakeSF Review (9): Æon Flux (2005)”
Paradise Hills (2019, USA | Spain)Director: Alice Waddington (b.1990 Bilbao, Spain)
Writers: Brian DeLeeuw and Nacho Vigalondo (screenwriters) with Sofía Cuenca and Alice Waddington (original story) Continue reading “#WomenMakeSF Review (8): Paradise Hills (2019)”

Director: Jessica Hausner
Writer: Jessica Hausner and Géraldine Bajard Continue reading “#WomenMakeSF Review (7): Little Joe (2019)”
Sea Fever (2020, Ireland)Director: Neasa Hardiman
Writer: Neasa Hardiman Continue reading “#WomenMakeSF Review (6): Sea Fever (2020)”